Skip to main content

Modified Vogue 1250

So obviously I am the last person in the world to make Vogue 1250.  I have made it twice.  Once is red version which is the dress, though left rather longer than on the pattern (I haven't actually hemmed this yet so not sure of the final length).  The other is a teal version modified to be a cowl neck top:


Here I am looking rather awkward in it and with the top draping oddly (neither I nor the top look like that most of the time!).  It was made in a teal viscose / spandex oddment I got from Melbourne Tessuti while I was over there recently.  Oddly I think it suits the other fabric (cheapy Spotlight jersey spandex) better as that fabric is more drapey, but a few washes might change that.  I cut an enormous size 20 (to get the shoulders and chest in there) and then spent lots of time bringing the waist and hips back to probably a 14 and 16 respectively, though am not sure as I did with the garment after rather than with the pattern initially.

Here is a view of the back:


And a slightly better one of the front (though not much...it was dark and we were about to head out!).


I made it by taking the two main pattern pieces and putting them together.  Then I pretended the top of the two skirt pieces at the back of the original pattern (down to the second adjustment line) were the bottom of the upper back piece (basically to lengthen it).  Similarly I adjusted so the main piece stopped at the lengthen/shorten line and at the front rather than arcing round to the back (as I already added that piece onto the back).  Then I made the top as instructed but ignored the bits sewing the skirt back and skirt to upper back and skipping straight to sewing up the sides.

It was a really interesting exercise in changing a pattern for me (having only made a few items of clothing I have not really done this before except to lengthen and do the usual cut big and narrow in).  I don't know if it was as successful as I would have liked - probably partly due to the heavy weight of the fabric and also mainly due to my lack of understanding of how seams would work when I was making them up at the bottom of the side seams.  I ended up with some odd flarey bits and had to spend more time faffing than I wanted to in order to pull it in and make it look more like a top should.  In the end I got a top which I wore out that night to dinner, which I will also wear to work, in a lovely colour, so am not really complaining!  Definitely inspired to do more stretch sewing and I would like to make this again in the lighter drape jersey spandex to see how much of the difference was the fabric versus my incompetence.  I thought about making the sleeves more sleeveless too so I might try that next time.

All up not bad for an experiment!

Comments

Popular posts from this blog

What to wear to a winter wedding?

I recently attended the wedding of a close friend in New Zealand.  If you aren't aware, early August in New Zealand is COLD!  Cue a lot of googling on what to wear to an (outdoor) winter wedding :)  I even made a pinterest board of ideas I also took inspiration from my #SewStyleHero as part of the theme month that was running via The Sewcialists .  You can read about that here . Here is what I came up with: I used a heavy stretch navy sequin ( Pitt Trading ) for the skirt... ...and a soft silvery beige colour stretch velvet (from Tessuti ) for the top. The skirt was self-drafted and designed to be as full and sequiny glorious as the amount of fabric i had would allow.  I will probably cut off the skirt now to make it more wearable in everyday life, though I loved the effect for a fabulous winter wedding. The top is the  Seamwork Astoria  and was a bit of a revelation.  This was my second Seamwork pattern and I really liked it.  I know it's tren

Purse Palooza 2014 Guest Post - Scallop of the Sea Clutch (Katie Canavan)

This post was originally part of Purse Palooza 2014 over at Sew Sweetness .  I wanted to repost it here for my own records to remind myself of what I liked and didn't like in this pattern! ------------------------------------------------------------------------------------------------------------------------- I was very excited when Sara asked me to be part of this year's (2014) Purse Palooza and instantly knew I wanted to make the Scallop of the Sea Clutch by Katie Canavan (available from Holla Knits here ). This clutch is definitely  a statement piece.   It's oversized (compared to most clutches) and the outside is made of knitted scallop shapes.  Yep, I knitted a bag!  It felt good to both knit and sew a bag - catching three of my favourite pastimes all in one!  The bag is stranded colourwork and is knit in the round to form a big tube.  The tube is blocked, lined and interfaced, seamed and then folded over to make the big envelope clutch shape. Here is the versi

"A Walk in the Woods" Quilt Cover for Ava

My super stylish friend Rita has a husband who owns a manchester (if you are not Australian read: bedding and bed linen) business.  So obviously, I don't make quilts or bedding for this woman!  Except now...she showed me a Linen House (I think) range which she had bought for her 1 year old daughter Ava, ready for when she is in a big girl bed.  The range is full of red riding hood, toadstools and the like, and I was immediately reminded of Aneela Hoey's range, " A Walk in the Woods ". I showed her the range and she asked if I would make her a cot quilt for her daughter now, so she didn't have to wait for the big girl bed (which let's face it is at least a year away if not more!). I was stoked to be asked for two reasons; firstly, she is a good friend and I love making things for the people who really matter, and secondly, because she has access to all sorts of amazing in the realm of bedding, and she still wanted me to make something! High praise indeed